Billie The Bull by
xTx // a Nephew of Mud Luscious Press (2012)
One of the (many) things I love about xTx is
her knack for making small things so big. In perfect (67-page) Nephew form, she
scalds continents, history, and embarks on a gruesome, anti-Hemingway dissection
of bull fighting while recounting the absurd and beautifully rendered tragedy
of an ever-expanding heroine. This one sinks roots, whether you want it to or
not. Also xTx signed my book at the Dzanc/MLP table which was uplifting.
How Music Works by
David Byrne // McSweeney’s (2012)
Some of the best stuff in this sometimes rambling
and textbook-y ode to the musical process – recording it, making it, embellishing
its history, looking good playing it – are the dozens of photographs both
general and Talking-Heads related (puffy suit from Stop Making Sense). The cover feels like a Wendy’s booth, sadly
minus the honey mustard residue. Byrne can write, but I’d rather listen to My
Life in the Bush of Ghosts than know what drum machine Brian Eno used in the
fifth minute of the third track. Maybe I’m selfish.
The
Rumpus ‘Write Like A Motherfucker’ mug
At $10 this was a great purchase, a vessel
equally suited for Emergen-C and Templeton Rye, both of which are in
moderate-to-more-than-moderate rotation while stressing about not writing like
a motherfucker or after the desire to write like a motherfucker has passed for
the evening (or noon-ish). Thanks Rumpus!
Render / An Apocalypse by
Rebecca Gayle Howell // Cleveland State University Poetry Center (2013)
If you’re going to go bleak, you’d better go
all out and this book wants to stab you not just to see what it feels like but
until you’re drained. Some of the most tense and stripped verse I can remember.
I’m not sure what “truth” means but as I read these pastoral nightmares that inevitably
involve animal slaughter the word scrolls through my brain again and again like
a stock ticker on meth while I try not to flinch. “Let the black hard rock of
want / tear the skin of your prized intestines / Squeal Squeal for more.”
This Semi-Perfect Universe by
William Todd Seabrook // A Nephew of Mud Luscious Press (2012)
Not really into numerology but I’m into
Nephews and this one is a good one. The number 100 is the culprit here and boy
does it get messy. Quirk-laden factoids (“100 is a figment of our imaginations.
It exists as much as a 100-key piano or a Buddhist dog.”; “In 1384 the number
100 disappeared for a month.”) transcend, tweak, rejoice, and obliterate, and
make us want to throw another round of TP on the trees in front of that snarky
7th grade algebra teacher with all his x and y and whatnot and hop
on the next 100-car bus to one of the 243 as-yet-undiscovered universes – because
after all, we can only perceive 100 of them. 27 pages I don’t want to take
back.
Italian
sausage-and-pepper sandwich and soggy ass fries by Jose the “chef”
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