Tuesday, October 26, 2010

Jack the Pumpkin 2010 - 2010

Warning: the following images are pretty messed up!



















It was only a matter of time. Two days, to be exact. Yesterday morning I went to the store to pick up some Very Vanilla soy milk to complement my Lucky Charms (marshmallows only). Having just done the dishes, I'd forgotten to lock the kitchen cabinets.

Jack was already gone when I returned. The damage was done. I followed the trail of empty Windex bottles and cracked whippits from the living room to my bedroom. The debris ended in front of my open laptop. Two windows were open on the screen: One showing Sasha Grey doing something unmentionable to Bree Olson, and the other showing my most recent blog post: The Twisted Tale of Jack the Crackhead Pumpkin.

My breath caught in my chest and the panic and fear set in, the same way I imagine it does at the end of a date with Chris Brown. The mentally unstable pumpkin had read my unauthorized biography. He'd seen how many hits the post had gotten, knew that his sordid exploits had been broadcast across the world. And the world was laughing at him.

I quickly started thinking about which local PCP den Jack might have wandered off to, when a sound from the back patio silenced my thoughts. The sound was brief, but LOUD. What could best be described as a cross between a cherry bomb and a weak Oprah fart. The sound of a life ending too soon.

It was then I knew that Jack must have made his way to the roof of my building. That the escape he needed couldn't be achieved by any amount of sweet, sweet embalming fluid. He needed a permanent solution. I ran out the back door of my basement apartment and saw what was left of poor Jack. As you can tell from the above picture, it wasn't pretty. The next few minutes were a blur -- paramedics, sirens, police tape, old ladies tearing their hair out, children weeping -- but luckily (or unfortunately) a local Manhattan Valley slimeball named Brad had been trying to videotape his neighbor in the shower and accidentally captured Jack's fall in its entirety. The following video is extremely upsetting.



Reports of a suicide note are unconfirmed. If one surfaces, I'll be the first to report it. Until then, though, Jack really is gone forever. A cold lesson for pumpkins and pumpkin enablers everywhere.

***

A few hours later, E! News heard about the tragedy and sent Ryan Seacrest to interview Paris and Lindsay. The two were hanging out at their friend Khloé the Gator's house, slurping down White Russians by the pool. 


"It's like, totally sad," Paris squeaked. "Jack was super cute, I guess, but now he's almost as irrelevant as my career."

Lindsay lifted her head out of her drink, gave Seacrest her best Botox pout. "Who the heck is Jack?" she asked, clearly confused. "And why don't you look like my usual dealer? Where's Julio?"

What Seacrest didn't realize was that he shouldn't have done the interview at all. Because Khloé the Gator hadn't had anything to eat in almost an hour, and her trainer Lamar was too busy playing basketball to feed her. So while Seacrest was busy with Lindsay, Khloé slid her massive, Jabba-like body out of the pool, snuck up behind him and screamed "Garghghghghahhh!!!!" in the creepiest baby voice imaginable. She swallowed his head in one gulp, then spit out the plastic pieces

RIP Ryan Seacrest. He never saw it coming. Sort of like Jack. But not really. 

The End (maybe)

Wednesday, October 20, 2010

This Is A Cry For Help (and Tweets)

                                                      from http://twitter.com/#!/MikeFrancesaNY

You should be my friend on Twitter (@ChrisVola). Or follower, whatever. We may not know each other. Maybe you hate me. Maybe we sucked face and I never talked to you again. Maybe you're a 14-year-old Russian hacker trying to access my personal information through the blog (good luck, won't find much there you commie bastard!). I will embrace you all. Even Mexicans. Especially Mexicans.

What do you have to look forward to as my follower? Oh I don't know, a couple to several tweets a day, ranging from links to useless crap I find interesting, links to assorted junk that other people think is worth putting on other Web sites, links to blog posts like this one! Pretty much a lot of links. Also, an array of provocative, authoritative nuggets of truth about my favorite sports teams and any media object (book/movie/CD/concert/foxnews article/porn movie) with which I may have interacted that has been momentarily worthwhile in the glorious scheme of my life. And some weird conversations with my boys Willie aka Primetime Slimetime and the Party King. Things that make me no different than any other pale sucker wasting his time on Twitter.

Actually, I thought Twitter was pretty damn dumb until recently. But it's actually cool for news updates, following comedians and fake celebrities, sending direct messages, keeping up with your favorite band/writer/politician, finding interesting people, wasting time in cubicle-land, what you do already. Also, a bunch of other reasons that sound lame until you try them out. ALSO, publishing companies and presses are starting to ask for how many Twitter buddies you have when you submit a manuscript. I have 25 friends. Which sucks. It's kind of like the kid who brings cream of corn soup or steamed brussel sprouts to lunch and expects to trade them for my chocolate AND vanilla Handi-Snacks. And he has a cleft lip. And he smells like rabbit pee. Fuck that kid. Stay away from him! Some of my friends aren't even real people, they're just advertisements for porn sites disguised as sweethearts with big boobs.

So, in the end, this is all about ME.

If you're not convinced, here are some more reasons why you should join Twitter/follow me:

- If you follow me, I will follow you (sounds like a gay 80s jam), giving you one more friend follower, and thus increasing your popularity!

- If you're new to Twitter, you can follow me (thus giving you one automatic follower). Some porn advertisers will probably take notice and follow you, too. You'll have more friends! You'll be on the road to success! In Twitter!

- You can get a book/movie/TV/music/stripping deal!

- MikeFrancesaNY, GaryJBusey, SarahKSilverman

Oh yeah, I carved this pumpkin. This is what it looked like before it started to rot and resemble a toothless Corky from Life Goes On:


And I tweeted it.

Thursday, October 14, 2010

Poetry the poison, poetry the lie, poetry the venom shot through rattler fangs


The Essential Numbers 1991 - 2008 by Gordon Massman
182 pages


There's a lot of hyperbole on the Internet: Lindsay Lohan is the MOST fucked up stupid coke-whore EVER! OMG I have the coolest friends EVER for writing more birthday shout-outs on my wall than ANYONE, EVER!! This Jimmy Johnson-endorsed penis enlargement pill will transform you into a FUCKING SEX GOD and allow you to conquer third-world countries!!!!! 

Clearly there's enough of this kind of stuff going around on a daily basis, which is why I'm not going to review Gordon Massman's quasi-recent collection of poetry, The Essential Numbers 1991 - 2008. Because if I did, I'd be tempted to write that the book is the MOST viscerally disturbing, psyche-jarring jumble of words my young, impressionable eyes have EVER analyzed. That this is possibly the MOST IMPORTANT work of genre-bending literature to come out in the last five years, and if you read it, your blood might congeal and give you the BIGGEST, MOST HARDCORE brain aneurysm anyone's EVER documented. That your eyes might dislodge and your legs turn into rat shit as you crumple before its SHEER AWESOMENESS like a slug drowning in salt rain. But I don't want to sound like a bigger tool than I already have. And I have a hunch that Massman really detests assholes like me who get off on the worthless task of writing about writing. 

So I'll let him tell you about the poems himself, in the form of an interview he did a year ago that appeared on Trickhouse's Web site. It's some really interesting stuff. Sort of like taking the line between genius and insanity and shoving it up god's ass until it bursts into a pinata laden with candy. But what do I know. If you feel prepared to be enlightened, you can check out the whole thing here. Or here. Or maybe here. Choose wisely.

However, if you lack the attention span or the give-a-shit to read the entire interview, here are some of my favorite chunks:



- I throw as best I can, as believably as I can, the billion colors of human existence through the prism of myself. Over long and intense personal interior struggles I have unearthed my otherwise unspeakable capabilities and visceral dark emotions: rage’s boiling mud, shame’s hot cauldron, the alligators of self-loathing. Not only am I a beautiful child, I am a hideous monster.

Like us all. 


- I want to insist that my sometimes disturbing visions are more or less within everyone, with slight variations. Hasn’t every father fantasized infanticide? Doesn’t every husband want to binge on lovers. Doesn’t murder and suicide lurk in every man?


- This kind of clinical monster does not back down or mutate into something else. My clinical obsessions have numbered over thirty at any given moment, which I had to perform in a specific order at threat of having to repeat them beginning with number one, ad infinitum, through the night without sleep or rest. These involve locks, clocks, ovens, toilet seats, numbers, body lotions, dental floss, defecation, urination, noises, bottom sheets, light switches, hunger, toilet paper, and edges of desks.


- Surely “form” solidifies subject, is in fact subject, as subject is in fact form. My “form” is the brick of terror, guilt, shame, pain, horror, hope, rage, love, and innocence jammed into my head, square, compositionally shifting, and lodged like a bloody bludgeon I can only exorcize it by duplicating it on the page, repeatedly and, perhaps, eternally.


- The confusion is this: I am my poetry.


I discovered Massman's opus while perusing Tarpaulin Sky's Web site, because they tend to put out rad books. I was rewarded for my absentminded mouse-clicking when I stumbled upon The Essential Numbers' back cover:

  
 Not giving a fuck is all in good fun, as long as you can back it up. And Massman does, in a big way. 


And finally, some favorite lines from the book:


Dear God, I wish to register my unhappiness about a few things: mortality is a crock of shit, I could pop you in the mouth for that; genocide sucks, you deserve a penitentiary gang raping


I exacto-knife toadstool tip of penis, lift it off, the pee-slit forms a lovely salt-shaker

I masturbate to fashion photos of anorexics, Auschwitz ladies hips crooked outward slathered in blue cotton panties, elbow pelvises, furrows and funnels, cheeks like eaten stone, imagine fucking grasshopper bodies so close it rubs bone, wire sculpture of horror harboring a wet pussy

I petrify through the regal and towering land, the mesmerizing eyes, the vitality strands, the royal cataracting blood gorges of the beautiful and sad, once a breathing gaping hole, I grey among the statuesque


Hi, I'm Gordon, I'm a sex addict

Have a nice day.