Wednesday, May 30, 2012

A Place Where Anything Else is Happening


“The nature of death,” my mother said, “is that it lacks a knowledge of good and evil.” She’d thrown my brother’s cat off the bed before I’d woken up. Maybe she planned on me for bludgeoning, too.

“Well?” she asked. I could tell something was different. It had been weeks since she’d mentioned the skin clogging her neck, since she’d tried to burn some misery off her cottage cheese and Smirnoff thighs with her Congolese acupuncturist’s rigid, waspy fingers.

“‘No’ means Jesus. Jesus means type-2 diabetes,” I recited obediently until she let me roll over. 

That was the last time my mother shared her thoughts with me, or anyone else. In the morning she’d run off for good with a pre-bust dot-commer named Alphonse who turned out to be an undercover eurotophobe and a third cousin of the Unabomber. And it would be months before my father immerged from his self-immolated womb of Who’s The Boss? episodes and pity Twinkies from coworkers.

That afternoon, my brother found the cat buried under a very Ellis-esque NO EXIT sign across the street and I don’t want to tell you what it looked like.

Saturday, May 26, 2012

We Always Managed to Have the Same Teachers


Carl didn’t see the piñata-bashing club as I cracked him with it on the back of his dome piece, knocking him out for a solid two minutes. And I didn’t see the two massive parental hands that grabbed me from behind and spanked my learing, chubby rump until I apologized to Carl, our non-offensively biracial god and the president. “Crappy birthday to you” is an understatement. Honey-bearded Jesus and George Bush 41 just kept staring at me from behind their picture frames on the plastic, Pine-Sol-colored mantel, and I wouldn’t be getting my new Super Nintendo until the following year, when the only thing anyone really wanted to play with were Stretch Saddam dolls and Branch Davidian Big Wheels. But I would be seeing a lot more of Carl. Until the next time he touched me where it smelled funny.

Friday, May 25, 2012

Fascist-Dogma-Nectar Overflow


Know that it’s not cool to jump off a Subway restaurant. It just isn’t. My brother was neither holy nor insane, so I can’t tell you why he did it.

“I am an IED and this Walmart life is a short fucking fizzle,” was all he kept shouting down to the security guards and latex-gloved sandwich artists waiting to catch him.

Fearing that the slip-of-tongue might cause some friction with a minor fast food butt buddy (and more importantly, a possible decline in sales in the Global Regression aisle), Walmart decided to sue the entire town for malicious suburban redundancy.

We thought we had a pretty decent case until they brought in the Disney lawyers, who immediately started handing out 10-percent-off passes to Space Mountain to the judge, the non-Hispanic members of the jury, and every third octogenarian who promised to buy a Five Dollar Foot-long. That’s when we knew they’d take everything.

Now my brother can’t go to the U2 concert next week because he doesn’t have eyes anymore. None of us do. Just old, raw sockets. It really isn’t cool.

Thursday, May 24, 2012

PTSD Is So 2005


Oprah agreed on a fair way to decide initiation, which involves two closed fists and pretending your grandmother’s in the room. The compromise proved to be a big ratings boost in most major markets (except, of course, in Kandahar) and was rated as favorable by almost every viable demographic besides panty-sniffing Japanese stock brokers vacationing in Haiti and bomb-sniffing dogs out on recon.

Honestly, I think it made most people feel a little better about the future: vapid suit-herders could still meditate under clouds of dharma-jizz in obese central-air pumping boxes, highways would still shimmer in the hot afternoons and block complete glimpses of fields, bizarre tension vibes and unprovoked assaults would still be the two most sought-after traits of every washed-up child actor.

My brother came home in August with half a femur and a pull-one-over-on-you Midwestern drawl he got from watching too many John Hughes movies in the hospital. Maybe that’s why nobody argued when he stopped taking his Ambiens and started stashing them away for what we assumed would be one heck of an Alive Day party the following year.

“The least coolest person on TV is more interesting than anyone I know,” he told me while I sponged him down for the last time, his Budweisers raised above the tub like night goggles.

Tuesday, May 15, 2012

I LOVE TODDLERS & TIARAS


No, you can't buy a T. That's a different game.




Thursday by Chad Redden
plain wrap press
release: May 2012
58 pages


If you’ve gotten down with plain wrap press, you’ve probably read Janey Smith’s Animals, and if you’ve gotten down with Animals’ aesthetic, you probably like what plain wrap does. And if you still need convincing (which, let’s be honest, is kind of silly), these very same people have been kind enough to give us another small, simple nugget of sad radness, Chad Redden’s Thursday. Less prosey but no less ballsy than its press’s predecessor, the book is a careful, quiet meditation on memory deterioration, companionship, and time-as-revolving-door-being-pushed-by-a-metal-armed-figure-in-black, not to mention Scrabble and the possibility of a shyster of a husband or non-husband named Omar (“Do you have an S and an N? / If you do, / you can spell Sonar. / S-O-N-A-R”). There’s Margaret, for whom every day is a Thursday, which might not sound like such a bad proposition, except when she starts un-thinking a whole mess of other things until her visitor has to prove, once again, “I’m not Johnny Cash / even though I wear black.” Redden (of NAP fame) orchestrates an unassuming fill-in-the-blanks wordscape of Alzheimer’s-brittle verse that builds and rebuilds at a board game’s pace, all the more eerie and powerful because of what those gathering blanks signify. Certain sections where there’s just “THURSDAY” followed by an empty page are more devastating than most of the poetry I’ve read this year. But alongside the potentially frightening realization of what’s going on, there exists a constant and patient tenderness hovering within the text and in the spaces between it. Because empathy’s great, right, both on the level of, I want to keep you and what’s left of your fragmented consciousness as alive as possible, or sometimes it’s just cool when someone’s nice enough to care about the little things: “I can’t remember what / you said the crows meant.” They probably meant you should pick up Thursday. Well, not really. But you should.

Thursday, May 3, 2012

so slow to find the good stuff but I found this


Kill For Love by Chromatics
Label: Italians Do It Better
Release: March 26, 2012



I’m going to preface this by admitting that I know next to nothing about Chromatic’s previous oeuvre except for a couple songs, like the excellent “Hands In The Dark,” so I’m no expert on the Portland band’s progression to get to where they’ve gotten on their latest album, Kill For Love. What I do know is that this album is fucking awesome, which is a word that gets overused to death but the first gut feeling that comes to mind when I think of this collection of sounds really is awe (and indigestion from the Spicy McChicken I just ate). If “ominously joyous” is an oxymoron then fuck you because that’s the current running through Kill For Love like said McChicken through me. Relentless beats that, refreshingly, aren’t in-your-face electronica, lush and spooktacular keyboard arrangements, gritty guitar sparks, pop-adelically obscured vocals of both the feminine and masculine persuasion. Stuff for going out and looking at people, before bed quiet time, during bed loud time, hangover cures in a dark cave. Anti-anthems like the title track and “Back from the Grave” sound like clever Cure/Human League/New Order/Crystal Castles/David Byrne-on-Percocet mash-up records. Which means: wow. Fuzzy instrumentals like “Broken Mirrors” and “There’s a Light Out on the Horizon” are testaments to better and darker adventures than you’ve ever had with people you wish you could meet. The album’s best song, “These Streets Will Never Look the Same,” (perfect for driving to a keg party in a sparsely populated forest region) represents one of the few acceptable uses of Auto-Tune in recorded history. And I know I mention David Bowie in every post but there are more than a few hints of The White Duke lurking like a coked-out specter on the fringe of the tracks, especially the sanguineous “A Matter of Time,” which doesn’t really sound like David Bowie at all. I guess all I’m trying to say is do yourself a favor and check Chromatics out. And if you see me nodding at you on the Subway, it’s not because I’m acknowledging your presence as a distinct, hardworking and respectable member of society, it’s because I’m jamming out to “Lady” and trying desperately to free myself from the confines of the banal, joyless world you call home. Also, there’s a pretty sweet Neil Young cover.

Thursday, April 19, 2012

the only way that makes it bearable: with each other


My review of Bill Clegg's memoir, Ninety Days, is up at PopMatters. Addiction memoirs are kinda played out, this one's worth it. Dude can write. About crack. Also, PopMatters is the shizz.

COMMON AFFLICTIONS EASILY CURED BY MEDICINAL MARIJUANA

1.      Asthma
2.      Glaucoma
3.      Neuropathy
4.      Ennui
5.      Writer’s block
6.      Too much extra cash
7.      Cancer
8.      Trust in politicians
9.      Aversion to Cheez Whiz
10.     Alcoholism
11.     Dating
12.     Arthritis
13.     An inability to appreciate Bowie’s Berlin Trilogy
14.     Hangovers
15.     Depression
16.     Apathy toward cute animal pictures
17.     Meaningful friendships
18.     Forgetting to eat Haagen-Dazs and watch The Return of the King extended version
19.     Seizures
20.     War
21.     Racism
22.     Nausea from chemotherapy
23.     Disbelief in ancient aliens
24.     Cataracts
25.    Erections
26.    Talking
27.    Writing
28.    Stupid people


Tuesday, April 17, 2012

DO NITRATES WEEP FOR SOGGY BURRITOS?


I scarfed the promise of a latterday whatever. The blue tumor was a Michelin-starred disaster (we trust in cancer as a bull market that’s not ready for sneaker parties). Lapsed Caucasian: stop being such a shaman with “gluten’s for pussies and Chipotle promotes infant rape.” But, really, why so blue? "Insecticide forest. Insecticide for us."

Wednesday, April 11, 2012

El Jefe: The Journey to Freedom, or, A Severely Misplaced Cause for Rat Empathy?




As I watched El Jefe shiver sadly before scurrying out from his perch under the beer pong table and into the cold rain, I panged at realizing that I’d misjudged the rat. For months he’d been the nutria-sized antagonist to our basement apartment, terrorizing the back patio with his sheer girth and gull-sounding battle cries. A full eight to 10 inches longer than the biggest members of his numerous brethren who call the garbage area in front of our building home, his first appearance conspicuously coincided with the death of Mr. Jigglesworth, the one-eared, half-tailed cat who had called the patio home for years and who had shown no signs of relinquishing his domain. My roommates found his mangled corpse under the makeshift metal table  in January, and immediately an inquiry was raised. Had Jiggles been the victim of an improbable rat-on-feline hate crime? Or had we simply not noticed him until long after the normal decay had set in?

One thing was certain: El Jefe’s reign had begun. Scouring every inch of the 40-by-15-foot space, perched on the wicker chairs and neglected garden boxes, scaling the chain-link fence separating our building from the adjacent ones, brazenly peeking in our back door, the rat’s presence was constant, though not yet terrifying. Then the casualties started piling up. A succession of smaller rodent remains, both mice and lesser rats, appearing daily, their necks bitten clean through, their tiny palms raised skyward in last desperate acts of supplication. El Jefe enforced his doctrine of isolationism with an iron paw.

Our collective unease culminated during a recent beer pong tourney slash barbecue honoring the equinox in which the rat came out of nowhere and ran across the crowded patio in a Full Metal Jacket maneuver that ended in the trampling of the flip-flopped feet of my roommate’s significant other or maybe some rando. Regardless, war was declared. The superintendent was alerted, industrial traps were set, mice corpses kept piling up and El Jefe remained fearless.

Then came that plaintive shiver that changed everything. Are any of us – the super, me, the giant rat – really that dissimilar? We’ve all made journeys, sacrificed much. I’ve forsaken sunlight and hours of human interaction to work as a copy editor and sometime writer in a drab basement apartment in a decent neighborhood. The super left his family and his as-yet-to-be-determined Spanish-speaking island to pursue his dream of cleaning toilets and turning on the hot water every morning so Amelia in 1B can soak her calloused bunions. And El Jefe made his undoubtedly Quixotic pilgrimage through a maze of basement traps (and the doors connecting the boiler room to the super’s office to the back of the building that the super and his cronies invariably leave ajar) in search of, what, solitude, a patio of one’s own, escape from a mating gone awry, shame from defeat at the claws of another alpha rat? Does it really matter?

We are all searchers, cut from the same ilk. And even President Monroe, recent history’s most famous proponent of isolation (minus Kim Jong and Fidel), once admitted, “Our country may be likened to a new house. We lack many things, but we possess the most precious of all – liberty!” There are always small prices to pay for this liberty. I must suffer the daily rude awakenings by roommates who work 8-to-6, ugh, jobs so that I can afford an apartment where my afternoons are undisturbed. The super must live with the shame of continually forgetting to fix the broken door in my room and the rust emanating from various points in our ceiling. And Amelia must deal with the nappiest feet this side of sub-Saharan Africa. To deny El Jefe his freedom, a freedom for which he has killed, would be a cruel hypocrisy. So scurry on, badass rat, fight the good fight, do not go gentle into that crevice behind the garbage chute!

That is not to say we can be friends; I’m keeping a respectful distance, not really trying to get hemorrhagic fever, plague, or renal syndrome. Not to mention the rat’s brief two-year lifespan (in which El Jefe will have been more productive than the super could ever hope to be in his wildest cerveza-induced dreams), much too brief to form any deep bond. That is, unless he develops more than a passing interest in the never-ending supply of Weight Watchers string cheese and Lucky Charms that I bestow upon the apartment, or he’s actually La Jefa and the killer instinct is really a maternal one – there will be rodent blood. Until then, do your thing my wayward, disease-ridden brother.

Friday, March 23, 2012

It's just indigestion...or is it?


http://www.vice.com/read/ny-tyrant-atticus-atticus

Picked up Atticus Lish’s collection of sketches, Life Is with People, and wow, wow. I’m into art but I don’t think I’ve ever purchased an “art book.” I hesitate to label People as an art book because to pigeon-hole something this insane and unique would be doing the fine peeps at Tyrant Books a sad disservice. The limited (500 copies) print run features pleasantly thick covers and heavy-stock lined composition paper, usually one drawing per page, occasionally more.

http://nytyrantbooks.com/atticus/
As the title suggests, there are lots of people. People stabbing, shitting, cross-dressing, fucking, praying, grinning, often with a few explanatory phrases thrown in for good measure. The style of illustration is what Shel Silverstein would have penned if he’d been imprisoned in the S&M dungeon of some creeper with a serious fecal fetish then let loose amidst the dregs of an outer-borough wasteland populated by psych-ward all stars and sluttily anthropomorphic lesser mammals. Which is to say, mind-blowing. Each of the images presents a self-contained situation – a man who has ripped his eyeballs out to avoid attending a Bat Mitzvah, unkempt anorexic banshees screaming for Tony Danza, a woman hanging from a sex swing and crapping on a dude’s face in what is described as “a fairy tale right out of the Village Voice," unapologetic Susan Sontag references – that can be disturbing, outrageous, ultraviolent or misogynistic, but always funny as shit. Seriously, I was reading People in a bar and kept laughing obnoxiously, at one point dribbling Pilsner from my nostrils. The J. Crew catalog couple seated next to me must have thought I had a few chromosomes loose and when I allowed them to peruse the book their suspicions were confirmed. 

The weird/amazing part is, I don’t really feel like I’m looking at visual art. Each image is more akin to a flash fiction – rough, subtle, twisting – that deserves to be absorbed for more than a casual moment. Which is why I recommend flipping through People slowly, taking a dozen or so drawings and then calling it a night. Or maybe not. I tore through the book in two extended sittings, the last one culminating in a 3am near nervous breakdown. I wanted to look at porn or hug someone, and probably both, in that order. Yet my sleep was surprisingly untroubled, devoid of the fucked up and too-vivid dreams that had been plaguing my head for weeks. And they haven’t returned. In purging his nightmares, Lish may have inadvertently helped me shirk off some of my own.

I can’t guarantee that Life Is with People will have the same affect on you. But I can guarantee you’ll love the book. And if you don’t, you’re a moron. 

http://www.vice.com/read/ny-tyrant-blake-butler

The book's mini-site is here. 

Monday, March 19, 2012

best drug albums


David Bowie – Low
Simple Kid – Simple Kid
Butthole Surfers – Locust Abortion Technician
Pink Floyd – A Saucerful of Secrets
Flaming Lips – Clouds Taste Metallic
Crystal Castles – Crystal Castles
Talking Heads – Speaking in Tongues
Bob Marley – Legend
Dr. Dre – The Chronic
New Radicals – Maybe You’ve Been Brainwashed Too
Pink Floyd – DSOTM
Human League - Dare
The Velvet Underground – The Velvet Underground
Weezer – Pinkerton
Jay-Z – Reasonable Doubt
Smashing Pumpkins - Gish
Ween – The Pod
Grateful Dead – Shakedown Street
Phish – Story of the Ghost
Pavement – Slanted and Enchanted
DMX – It’s Dark and Hell is Hot
Flaming Lips – everything recorded after 2009
Neon Indian – Psychic Chasms
Del Tha Funkee Homosapien – Deltron 3030
Hum – You’d Prefer an Astronaut
Big L – The Big Picture
Silver Jews – Starlite Walker
Pixies – Surfer Rosa

http://blogs.houstonpress.com/rocks/2012/02/ziggy_stardust.php

A series of chance sexual encounters provides him with an unlikely side career as a male prostitute

I review Ryan W. Bradley's Code for Failure at HTMLGIANT. Stop dicking around and get the book, it's really good.

Sunday, March 18, 2012

nightmare sequence 3.04


IN THE LIVING room of my cottage, seated in front of the camcorder’s gaping black eye. Philippe is standing behind squinting Jean-Paul, holding cue cards, the writing on them big and Sharpie-black. Titus is standing behind me, holding the same sword I’ve used in hundreds of scenes. Alaska is in the far corner of the room, oblivious, playing with some old Ninja Turtles action figures I saved from my parents’ house. She’s got the Shredder toy in her tiny fist, stomping him down on a defeated pile of turtles and their wise mentor rat, Splinter, crushing them all. Shredder – the most badass ninja mutant killer of them all, the yin to the Turtles’ yang. For a second I want to tell her that this isn’t the way it’s supposed to work, that the Turtles and Splinter are supposed to combine forces and kick Shredder’s ass, to make things right. But the grunts of sheer joy coming out of Alaska’s mouth as she crushes the Turtles’ green plastic skulls one by one with Shredder’s iron-studded heel, because at this moment the carnage makes perfect sense. Jean-Paul presses the RECORD button. Lauren is sobbing in another room. ‘Action,’ Titus whispers. I repeat what’s on the cue cards: my real name and age, my real address and place of birth. ‘I am a wretched, squirming sinner,’ I say, ‘a true scum. I have found that my sin is truly an abomination and I seek forgiveness from the almighty –’ I hear the sword slide out of its sheath, the metallic hum. ‘Keep going,’ Titus whispers. ‘No,’ I say. I turn to look at Alaska. I hear Lauren’s sobs stifled by what might be a towel or a fist in the other room. This isn’t the way it’s supposed to happen, but is there ever a way it’s supposed to? ‘So that’s it?’ Titus asks. ‘That’s it,’ I say. ‘I had really hoped for more from you, Josh, but…OK.’ Yes, this will be it. No more games. Because a sudden warmth has enveloped me, a contentment I haven’t felt since childhood. My mother wrapping me in a thick wool sweater like she used to when I’d come home from sledding, worried that I might have a cold. I smell woodsmoke, my father’s strong forearms lifting logs into the biggest fire I’ve ever seen, then lifting me onto his shoulders to laugh and laugh as the blaze burns down to nothing. All this warmth is coming out of Alaska, an unbreakable cable stretching into the yellow cloud that surrounds me, blinding. I close my eyes, and wait for it. I hear the rush of the blade coming down and Lauren’s primal and beautiful scream and there’s no pain, only a brighter rush of yellow and the sudden string of words, as big and blinding as a five-million-watt high-high-definition billboard illuminated by five million moons reflected off the calm, mirror-like water of Long Island Sound: THIS WILL BE OVER BEFORE YOU KNOW IT.

Friday, March 2, 2012

one eye put out from a staple glancin' off a post

http://www.narrativemagazine.com/authors/harry-crews
A recent column in LitReactor reminded me about this dude Harry Crews, whose books I haven't read in a while and who is basically a Southern Gothic GG Allin, which is pretty fucking badass. Now I know "badass" gets thrown around way too often, and I'm guilty of it, too. Frat parties and longboarding through traffic, brah, are not badass activities. 99.9 percent of tattoos are not badass. Drinking Bud Light Platinums on a work night until you puke is not badass. Getting massively scarred in knife fights after the age of 70 is super badass. Read the column and do a quick Google search of Crews and you'll see what I mean. 

But gnarliness aside, the guy can write. And he gives great advice about writing. Anyone attempting to write fiction should at least heed the words of an OG who managed to give birth to seven amazing novels in eight years in the midst of a violent thirty-year blackout. Luckily someone was smart enough to recently film him dropping wisdom.

Some quotes:

"The amateur, or the coward, or the non-writer, will try to keep it and make it work because he doesn't want to have to throw it away and do all of that over again another way. The real artist, with no tear in his eye, and no sadness in his heart, puts the pages in the fire and does it again."

"All of fiction is about one of two things: love or the absence of love."

"Who could imagine her having the flu, or snot coming out of her nose, or her wiping her ass. Who could imagine that? Nobody, nobody. It's Beauty. It is what it is and it will be what it is forever, even though we know perfectly well it will not. That it will decay and die."

"Any piece of fiction that has a point to make is bad. It's gonna be bad. Because no one knows what the fucking point is."

"The Old Man and the Sea is not about fishing."


The entire thing:


And here's Crews jamming out some stories in the documentary Searching for the Wrong-Eyed Jesus:

whispers groin the chord of every scar

Got a review of Sean Kilpatrick's fuckscapes in this month's elimae. Definitely my favorite new book of the year thus far. Plus this issue is full of ridiculous people writing ridiculous things. Highly recommended. Not my shit. But other people's good stuff.